Maithili Sathe | Archive of Explorations
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    • Term 1
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        • Collective Design Intervention 02
      • Machine Paradox
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      • Biology Zero
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    • Term 2
      • Living Materials
      • Design Studio 02
        • Material Ethics
        • Intervention 01 : Harvesting Clay
        • Intervention 02 : Experimentation with clay
        • Intervention 03 : Tracing Clay Objects
        • Research Questions and Framework
        • Alternative Present Exercise
        • Transition Design: Holon’s Practice
        • Intervention 04 : Testing and Firing
        • Pictorial and Peer Interpretation
      • Situated Design Practices
      • Communicating Ideas
      • Collective Intelligence
      • Micro Challenge 01
      • Extended Intelligences II
      • Micro Challenge 02
    • Term 3
  • Final Project
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Alternative Present Exercise

In pairs, we interacted with our peers about our projects while trying to define our present continuities and present alternatives. Auxence and I worked together and we asked each other a series of questions about our projects, as a way of helping us clarify our narratives.

Present Continuity

People like myself, with an interest in design, interact with materials and objects without taking into account the history and heritage of them. Industrial mass production has alienated and impersonalised the context in which materials are used, the availability of them locally and the immersion in the process of making due to lack of knowledge, and the correct resources.

Alternative Present

People like myself, with an interest in design, interact with materials and objects with an awareness of where they come from. People learn to opt for local materials, taking into account the local heritage and give equal importance to the process of making objects and using materials with an intention to create meaningful things, thanks to initiatives that provide education and resources.

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